I Thought I’d Lost You (Doctor/Rose)
September 142009
Fandom: Doctor Who
Starring: The Doctor & Rose
Music: I Thought I’d Lost You by Miley Cyrus & John Travolta
Program Used: Sony Vegas 8.0
Requested By: piratesfan123
Intro By: HarryDoesntKnow
Okay, first thing’s first, thank you so much to the following people:
-Specialisyou
-PirateTillTheEnd
-Nyah86 (now Nyah86Production)
-withintemptationrock
-Onceuponanillusion
-BloodyDeath11
-abimaddevil16
for helping me fins ‘Secret Diary of a Call Girl’ clips 
Seriously, when I sent out the message for help I didn’t really expect one reply let alone seven and again, I apologise for spamming 
But that won’t happen anymore because thanks to the awesome people up there, I think I can manage to find pretty much any show now so thank you so much again!
Okay, so this is sort of an upbeat video set post-Doomsday and leading up to the reunion in Journeys End. I’ve tried different effects with this one and I’m quite pleased with how it turned out, except the beginning and the end (note to self: NEVER finish a video in the early hours of the morning again).
Oh, and as for the Secret Diary clips they might not make sense to those who watch the show because I jsut skimmed through them and picked out ‘Rose’ clips. I really shouldn’t say that should I? LOL, but I’m too lazy to even watch TV
Thanks to piratesfan123 for the song choice, sorry it’s a bit late
Enjoy x
PLEASE Comment & Rate Honestly
…woah, another 1:03:05 remaining til this is uploaded…
Duration : 0:2:31
aka. kiss the radio
NEW ACCOUNT:
Note: I really skimmed over a lot of things here . . . Oh well. If I get drilled about it, I’ll make more vids with a bit more elaboration. This is just how I am with a subject that I haven’t really gotten into much discourse over. What you see is pretty much my raw, unobstructed view on things.
A “Gone With The Wind” tribute montage, using the lovely song, “O Mio Bambino Caro” (performed by the 101 Strings Orchestra) and of course, the legendary film score, “Tara’s Theme”, originally composed by Max Steiner for the 1939 classic, called “the greatest motion picture of all time” based on Margaret Mitchell’s huge bestseller. The use of the first tune to me sums up the beautiful romantic longing between Rhett Butler and Scarlett O’Hara, as well as Scarlett’s girlish infatuation with Ashley Wilkes. I was thinking particularly when Rhett leaves Scarlett at the end of the film and then years later Alexandra Ripley wrote what I consider to be the only true sequel, “Scarlett”. (I don’t consider “Rhett Butler’s People” to be a good continuation or prequel to the original; there are some indiscrepencies from GWTW and the author, Donald McCaig, admitted that he really only skimmed over the original novel and read his wife’s Cliff Notes of the book to suffice, and it shows), where Scarlett undergoes some emotional growth after trying to get Rhett back and then she embraces her Irish roots until her former husband realizes he cannot live without her. I appreciate the importance of the original ending but I always believed that Scarlett and Rhett would reunite, despite Mitchell’s conviction to the contrary. They were so alike, so in each other’s blood, that I don’t believe that either one could live fully or freely without the other. In GWTW, Rhett longed for Scarlett’s love for all those years, and when she finally realized that she returned his love, he had had enough. So the film and book ends with Scarlett determined to get him back and return to her family’s plantation, Tara, proclaiming, “After all, tomorrow is another day!” The cast was of course, excellent and emobodied their characters expertly. Vivien Leigh and Hattie McDaniel deservedly won Oscars for their portrayals of Scarlett and Mammy, while Olivia de Havilland was nominated for her role as the saintly Melanie Hamilton. Clark Gable and Leslie Howard, as Rhett Butler and Ashley Wilkes respectively, had not wanted any part in the film but reluctantly took the roles, which cemented them into immortal movie history. David O. Selznick struggled for years to bring Mitchell’s Southern saga to the screen, and while he succeeded, he was never quite able to recapture the glory of his masterpiece. Leigh and Gable had an undeniable fiery and watchable chemistry, with their characters possessing the qualities to be admired and disliked at the same time: determination, strength, outspokenness, selfishness, arrogance, unconventionality, and the one that Mitchell attributed most to them: gumption. The theme of survival, determination, war, fading past glory and love is indeed a universal one.